Guidelines for Judges
Summary
Monthly competitions are grouped into five categories – Pictorial/Open, Creative/Altered Reality, Nature, Monochrome and Themed. Each Category and Class (B, A and AA) shall be judged separately.
Judges in our regular monthly competitions are asked to provide no more than 30 seconds of constructive criticism. Judges should score each image on its own merits against only the other images in the same class and competition. The main objective is to provide the photographer with some concrete ideas about how the image could be improved. It is preferable to say “the photographer might have considered this or that,” as opposed to “I would have done this or that.”
Website Judging Instructions - /Downloads/9614dd45-7847-4a75-8035-4b18da642cc4?o=y
Scoring
Five factors should be considered in arriving at the score for each image:
• Impact: Interest, emotion, immediacy, drama, appeal
• Originality: Creativity, style, unusual perspective, uniqueness
• Technical quality: Focus, depth-of-field, exposure, framing, lighting, contrast, shadows, highlights, detail, use of color – white balance, hue, saturation
• Composition: Storytelling, center of interest, leading lines, curves, use of color, lack of distracting elements, simplicity
• Relationship to theme: Only for competitions with assigned topics
In scoring an image, judges should not rely on their personal likes or dislikes for any particular subject or photographic technique. Points should not be deducted simply because the image depicts a subject that is frequently photographed.
While the full range of scores is 0 to 30, each image should receive a point score between 18 and 30. Ideally, the scores for each Class and in each category should be distributed across a broad range from the highest to the lowest as opposed to a narrow range (e.g., all 23-26 or 27-30). There is no required scoring curve that must be followed, but consistency in scoring is essential.
Scoring Ranges
18-21 range for an image of below average quality
22-25 range for an image of average quality
26-29 range for an image of superior quality
30 for an image of exceptional quality that stands out among others
In any class and category, it is within the judge’s discretion whether to score any image as a 30, and whether to score more than one image as a 30. If the judge does not believe a particular image complies with any of these Competition Guidelines, it is appropriate to award a score of 18 rather than a score of 0 to 17. All scores awarded by the judge are considered to be final.
Categories
Gateway follows New England Camera Club Council’s (NECCC’s) Information for Judges, which states, “Scoring one type of subject (for example, nature) higher than others or failing to give credit to one type of photograph, for example, creative photographs, because you don’t personally shoot or care for such photographs does a disservice to the competitors.” All types of images, therefore, are meant to be judged equally.
Eligibility: Applicable to All Categories
Every photograph submitted in a gateway competition must have been taken by the member who submits the image.
What is permitted in post-processing. Photographs are eligible when all editing and alteration of the photograph (or photographs in the case of composites) has been performed by the maker alone. Also, the maker can enhance photographs using filters or plug-ins within a core editing program such as Photoshop, Lightroom, Topaz, On1, etc. so long as the maker controls the plug-in or filter. Commercially produced or third-party textures are allowed as an exception in Gateway competitions.
What is not permitted in post-processing. Photographs are not eligible if they contain generated content from plug-ins or filters or other software, that does not exist in the source photograph. Also, images generated in whole or in part through computer programs or apps that use keywords to generate content are not eligible. Finally, images that contain elements that the maker did not personally photograph, such as clip art, stock images, skies, and celestial objects are not eligible.
Pictorial/Open: Any image that is the maker’s work is permitted even if the image would qualify in another category.
Monochrome: Images may NOT contain any color components. An image is considered to be monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white) OR it gives the impression of being a grayscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, blue, etc.) A grayscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
Creative/Altered Reality: The emphasis is on imaginative skill and originality. This category is about altering what can be seen by the human eye in a creative way, rather than taking a photograph of a quirky or creative subject. It is not required that the image be recognizable as an object, place or person; it may abstract.
Creative images must have been obviously manipulated or modified during or after exposure with experimental, digital, in camera, or darkroom techniques. Composite or merged multiple images and collages are acceptable for creativity even if each component is not altered reality as long as the end image is clearly not a single image and represents altered reality.
Images whose sole creativity is infrared, monochrome, High Dynamic Range (HDR), or use of wide angle or fish-eye lenses, or long exposure are not eligible in this category. Techniques such as panning/zooming or unique staging ALONE are NOT considered creative UNLESS they are used to create an abstract effect.
This category is about altering a normal photographic image in a creative way, rather than taking a photograph of quirky or creative subjects. Techniques or effects that alter reality must be evident. Scoring, however, should be based on the overall impact of the effect and resulting image, not on the amount of manipulation required to achieve the effect.
Nature: While sharpness and technical quality are essential, the story-telling value of the image is of paramount importance. In addition:
• There can be no “hand of man” visible in the Nature category (roads, fences, buildings etc.), unless a human element is integral to the Nature story (owls in a barn, tagging on birds etc.).
• No techniques that add, relocate, replace, or remove pictorial elements (e.g., rocks, debris etc.) except by cropping are permitted.
• Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content or without altering the content of the original scene are permitted, including HDR, focus stacking and exposure control (dodging/burning. Also, techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed.
• Feral and domestic animals, human created hybrids and cultivated plants and flowers are permitted in Gateway Nature so long as they appear to be in the wild.
Allowed Nature editing techniques:
- Cropping, straightening and perspective correction.
- Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion.
- Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene.
- Complete conversion of color images to grayscale monochrome.
- Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or focus stacking)
- Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panoramas);
Editing techniques that are not allowed in Nature:
- Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
- Adding a vignette during processing.
- Blurring parts of the image during processing to hide elements in the original scene.
- Darkening parts of the image during processing to hide elements in the original scene.
- All conversions other than to complete grayscale monochrome.
Themes
The most important criteria in scoring this category is to reward images that capture the essence of the theme, as spelled out in the definitions provided:
People at Work
This category includes people of all ages and includes people who travel to a location other than home to work and people who work at home whether for pay or not. Ideally, images should reflect a connection between a person and that person’s work, and the stronger that connection is revealed the more impactful the image.
Animal Portrait
The goal of an animal portrait is to capture the unique character and essence of an animal which should be the main subject, often focusing on their eyes, facial expressions, and overall body language. It aims to portray the animal's personality and capture a specific moment or mood, much like a portrait of a human. An animal portrait may include both Wildlife and pet portraits. Pet portraits often focus on domestic animals in familiar environments, while wildlife portraits capture animals in their natural habitats.
Curves
Refers to the curved lines in an image that guide the viewer's eye and add visual interest. Some examples of curves include:
- Leading Lines: Curves can act as leading lines, drawing the viewer's eye towards the main subject of the image. - S-Curves: An S-curve is a powerful compositional technique that can guide the eye through the scene, creating a visual journey.
- Movement and Energy: Curves can imply movement and add energy to an image.
- Compositional elements that may create curves include roads, rivers, or natural forms.
Reflection in Glass
This category includes windows, mirrors or any glass surface as the reflecting medium. The central compositional element should be the reflection. The reflected element may be a person, a structure or any object.
High Key/Low Key
High-key photography is characterized by bright, soft lighting, minimal shadows, and a focus on lighter tones, often creating an airy, cheerful, and positive atmosphere. Low-key photography, on the other hand, features strong contrasts, dramatic shadows, and darker tones, resulting in a more moody, dramatic, or even somber look. High-Key photography is often used for portraits, fashion photography, product photography, and situations where a bright and cheerful look is desired. Low-Key Photography is often used for portraits, dramatic scenes, horror photography, and situations where a more serious or intense mood is desired.
AI
The goal is to present photographic subject matter in a way that is unique, appealing and causes the viewer to marvel at the ingenuity of the image. The original photo must be created by the maker. After that, “anything goes,” including Text-based Generative AI, third-party skies and Clip Art. The maker must not violate any copyrights.
Sports Action - tentative definition
Might include: Close-up shots of athletes in motion, Capturing the emotion of a player during a game with a close-up shot showing their facial expressions and body posture, Freeze-frame moments, Dynamic angles - shoot from unconventional angles to highlight the intensity of the action, solo sports like kayakers or skiers or high-speed capture
Textures in Nature
This category includes textures that can be found in landscapes, animals, birds, insects, trees, plants, rocks and any other subject found in nature.